By Daniel Miller, Sophie Woodward
On any given day approximately part the world's inhabitants is donning blue denims. this is often completely outstanding. but there hasn't ever been a significant try to comprehend the motives, nature and outcomes of denim as "the" worldwide garment of our international. This publication takes up that problem with gusto. It offers transparent, if astounding, causes for why this can be the case; hard the authorised historical past of denims and displaying why the explanations can't be commercial. While discussing the implications of denim on the worldwide point, the booklet includes a few exemplary experiences through anthropologists of what blue denims suggest in numerous neighborhood events. those variety from the dialogue of hip-hop denims in Germany, denim and intercourse in Milan via to the relationship among denim and recycling within the US. yet via these types of intensively researched ethnographies of neighborhood denim we construct our figuring out of the main curious of all beneficial properties of blue denims -- the increase of world denim.
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Extra info for Global Denim
Gilbert (eds), Fashion’s World Cities, New York: Oxford, pp. 235–50. E. (1941), ‘Down the Long Pack Trail’, Independent Woman, 22 (July): 202–4. Robertson, P. (1996), Guilty Pleasures: Feminist Camp from Mae West to Madonna, Durham: Duke University Press. M. (1939), ‘Recruits are Ready for War’, Washington Post, 8 October. Scott, J. . Hollywood Today’, Los Angeles Times, 5 March, p. C4. Sewell, W. (2005), Logics of History: Social Theory and Social Transformation, Chicago: University of Chicago Press.
The first series of events was regulatory in nature and involved efforts to reorganize clothing consumption and production in a more equitable fashion. These events disrupted the garment trades and inspired unorthodox interactions between previously separate women’s and men’s work-clothing industries, which often involved experimentation with the middle-class blue jean. The second series of events consisted of spurts of aesthetic activity aimed at making sense of Depression-era calamities and reinterpreting American institutions accordingly.
Hawes (1942: 87–99). 42. Hawes (1942). 43. Cobrin (1970); Fraser (1983). 44. Cray (1978); Howarth et al. (2000). 45. Cobrin (1970: 117–24, 146–9); Cray (1978: 67, 77, 80–2); Fraser (1983: 540); Howarth et al. C. Penney, Box 391: UGWAR SLA, Staff (1925, 1928). See also HD Lee Boxes 372, 377, 384, 386, 394: UGWAR SLA; Marsh and Trynka (2002: 34–7); Little (1996: 23, 32) and Fraser (1983: 539). 46. Downey (2007: 60–4); Marsh and Trynka (2002: 34–55). 47. Anderson (2008); May (2000: 283); Scott (1939); Slotkin (1992: 254–7).