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By Tony Glenville

Model representation is and constantly has been approximately excess of beautiful drawings of beautiful clothes. This lavish occasion of cutting-edge best artists within the box showcases the undying craft and impressive variety that signify the genre.
From David Downton to Cecilia Carlstedt and from Jason Brooks to Jordi Labanda, 28 masters of favor representation from internationally are featured, one after the other, in a grand journey of the simplest paintings at present produced. whereas a few illustrators create daringly daring photos, others want soft watercolours and ink drawings. during the quantity, either hi-tech multimedia results and conventional drawing talents are given delight of position, with a number of the artists utilizing a mix of suggestions. energetic statement accompanies the pictures, whereas interviews with every one illustrator offer extra perception into their impacts and techniques

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I work and work and rework them, and as the only person that needs to be happy is me, it can be a long process. Cate Blanchett, Vogue Australia 50th anniversary cover, 2009. An illustrated cover – a rarity in the 21st century – for the Vogue Australia 50th anniversary issue featuring Australian actress Cate Blanchett. Even rarer is the fact that there were actually four alternative covers, all illustrated by Downton. Anything else you wish to tell the reader? Who knew that 40 years after the ‘death of fashion illustration’ it would be undergoing such a revival of interest?

I find research essential and in a general sense it’s an ongoing process. I have a small library covering many aspects of art and design at my studio to call upon. Sometimes I assemble a stack of books on a particular theme that will help to inspire me and put me in the right frame of mind – I find it’s important to make visual connections and draw on different sources to do my best work. If it’s something I need quickly I also use the internet. How does your personal work relate to your professional output?

In 1956, South Philadelphia, an IrishItalian Catholic blue-collar working-class neighbourhood. Today, I reside in the East Village, a bohemian crossroads in downtown New York City. Any particular childhood influences? Old movies. I was entranced by the glamour, style and beauty portrayed through the exaggerated lens of Hollywood films and mesmerized by the movement of flowing gowns. My epiphany moment was Audrey Hepburn filling the screen with beauty, grace, style and elegance in the movie Sabrina.

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