By Marlayna Glynn Brown
Overlay is the 1st quantity within the trilogy Memoirs of Marlayna Glynn Brown.
Fans of The Glass fort and Angela's Ashes will enjoy this remarkable story of survival and resilience recorded in spare and convincing prose. Written from a child's viewpoint from a long time four to 17, this story describes the turbulent early life of the writer in Seventies Las Vegas.
The wilderness perimeter serves as a sizzling, dry and hazardous barrier that shuts out the remainder of the colourful global and bleaches away any experience of the enjoyment that colours childhoods. Born into an ongoing cycle of alcoholism and abandonment amidst fallen adults, Marlayna develops a strong feel of self-preservation not like the folk entrusted together with her care. Her tale explores the personalities of the unusual characters who populate her lifestyles as she strikes from domestic to domestic, guardian to mum or dad, family members to relations and finally to homelessness on the age of fourteen.
Out of the assets of her impressive formative years emerges an internal energy that would attraction and captivate readers and stay of their awareness lengthy after the final web page of her tale has been turned.
"The language of playing makes an attractive and recurrent motif all through this memoir, saying that it's only unintentionally that anybody folks can have traveled this exact same highway. Decks are shuffled, arms are performed. An finally uplifting, superbly written, and encouraging memoir." - Fiona Edmonds
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Additional info for Overlay: A Tale of One Girl's Life in 1970s Las Vegas (Memoirs of Marlayna Glynn Brown, Book 1)
64). Gaskell received her payment (the first half of the £100 due to her) two days later, on 7 December, but financial matters continued to be prominent in her relations with future publishers. Her joky and much-quoted account to Tottie Fox of how, after she had received £20 for ‘Lizzie Leigh’ in early 1850, ‘W[illia]m has composedly buttoned it up in his pocket’ (Letters, p. 113) is sometimes taken as an indication both of William’s patriarchal control over his wife and her willingness to give up her earnings to him.
In July 1843, the Gaskells spent their first holiday at Silverdale, near Morecambe Bay, a location which became a favourite vacation retreat over a period of fifteen years or more. At Silverdale they stayed in a converted tower, adjoining a farmhouse and overlooking the Bay and Lancashire coastline; the area was prettily rural and a perfect place in which Gaskell could write without unwelcome interruptions (though they did have various friends to stay here, William usually preferred the company of his family only and his wife was glad of the unaccustomed peace).
Coincidentally, Gaskell’s first meeting with Charlotte Brontë was also in the Lake District, at Briery Close, near Ambleside, the residence of their mutual friends Sir James and Lady Kay-Shuttleworth. Gaskell’s first taste of the foreign occurred in late 1841, when she and William went to Belgium and Germany, leaving the two girls behind with an aunt. The only extant account of this trip, a breathlessly enthusiastic letter to her sister-in-law, Elizabeth, makes it clear that for Gaskell the combination of romantic and historical association with the curious customs of a foreign culture was the greatest attraction.