By Ethan Lewis
“It is greatly vital that fab poetry be written. It makes no jot of distinction who writes it.” Ezra Pound’s comment makes a few polemic, yet nonetheless extra prescriptive feel, as evaluative of our current scenario. a few nice poetry (never brain the a ways greater volume of trash) is rising – from numerous coteries of committed artists, rather plausibly on your group. This anthology brings to press fifteen exemplary poets from Springfield, Illinois and its environs. but even though endorsing their wider attractiveness, this serious anthology advances an interpretative strategy. we will be able to garner a lot from examining the justly famed poets reflexively, with these lesser recognized in our midst. Any particular poem of the very best quality is educated by means of, and informs via, comparability with works of like quality. certainly, the attempt of an vague gem inheres in severe comparability. And family members by no means run a technique. One may possibly harbor keener appreciation of Wallace Stevens in gentle of yes works by way of Corrine Frisch – simply as Keats and Stevens jointly tell each other. The crucial guideline of this article holds, with Eliot and Frost – a no longer so not going coupling as should be inspiration, for this reason an ideal pair to introduce the author’s modus operandi – that we learn relationally. “No artist . . . has his that means alone.” “We learn C the higher to learn D; D, the higher to return and get anything extra out of A. growth isn't the goal, yet flow: to get one of the poems the place they carry one another aside of their locations because the stars do.”
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Additional info for Reflexive Poetics: A Critical Anthology
In fairness, the poet would likely affirm his belief in a divinity (or more likely, in divinities). Yet much as Sam would like to cut his bible-belt bonds, his intensely verbal imagination cannot separate the Word from—or perhaps imposes the Word on—its perverters. In any case, “God” and its variants would take up small space in the multitudinous Davis Concordance. 12 William J. Higginson, “A Poet’s Haiku: Paul Muldoon,” Modern Haiku 35:2 (2004) 49. Similarly to Muldoon, Davis delights in cracking his idiom over any convention, to hatch what the alliance will.
Too bad you were mostly muscle and not more mental. Though, it’s only natural that I don’t see The sense in your Achaean creed, I don’t need to believe It to realize that you bleed The same color as me; red Crimson covered your sleeves Before you ended up dead. You carried on until you were a feast Fit for carrion crows and vicious beasts. ” Instead of turning on your Greek brother You should have turned the other cheek. At least you were given a choice Between two fates and you chose A short life with undying fame over A prolonged inglorious existence.
By keeping things light, Scranton can critique Loneliness, Dualism, Unintended Consequences—abstract matters like these and Love and Truth and Tolerance, all resistant to black and white treatment. "Think[ing] in shades / of gray" acknowledges nuances, but also defines a philosophical approach. It would not ring true to trumpet that, "NOW MORE THAN EVER," understanding life must be recognized as transcending mere explanation of it. Kierkegaard perceived this circumstance descriptive of all times.