By Lesley Henderson
Why are a few debatable matters coated in television soaps and dramas and never others? How are judgements rather made 'behind the scenes'? How do programme makers push obstacles with no wasting audience? What do audiences remove from their viewing event? Does television fiction have a better influence on public understandings than television information? This fascinating new ebook attracts on distinctive empirical information to ascertain the connection among well known tv fiction and wider society.
The booklet offers full of life and interesting insights into how and why socially delicate tale strains have been taken up by way of assorted television programmes from the past due Eighties to the 2000s. Drawing on a sequence of case reviews of drugs, well-being, disease and social difficulties together with breast melanoma, psychological misery, sexual abuse and violence it comprehensively lines the trail of storylines from preliminary perception via to viewers reception and makes use of modern examples to hyperlink perform to thought. For the 1st time, this ebook addresses construction and reception methods throughout a number of programmes and obviously demonstrates the ways that tv fiction performs an important and robust position in reflecting and shaping socio-cultural attitudes.
interviews with television drama programme makers (producers, script writers and editors)
detailed research of 'on display' illustration
qualitative viewers learn utilizing concentration teams and leading edge methods
explores exterior affects on programme content material together with advertisement imperatives, broadcast laws, the function of campaigning businesses, wider media coverage.
The ebook is vital analyzing for lecturers, researchers and scholars within the fields of media reviews, sociology, cultural experiences and communications. it is going to even be of curiosity to wellbeing and fitness communicators, social coverage practitioners and broadcast professionals.
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Additional resources for Social Issues in Television Fiction
All are working under a series of competing pressures. Underpinning all of these concerns and implicit in production personnel decision making is the key factor of audience ratings. qxd 46 25/4/07 4:03 pm Page 46 Phil's G4 Phil's G4:Users:phil:Public: PH to which these pressures come into play diﬀers depending on the storyline subject matter, the values of the production staﬀ, and the wider social climate at the time of transmission. The Production Team: A Microcosm of Society?
The programme has now significantly narrowed the gap and closely follows Coronation Street in terms of audiences, but as I discuss later this has not always been the case. The programme has traditionally been absent from academic study and cultural comment. This absence is perhaps partly explained by its original agenda. In its original form, Emmerdale Farm did not include ‘issue’ storylines and focused entirely on gentle, meandering stories of rural farming life – there was little material here which would be likely to trigger public debate or the outrage of campaigners.
As we shall see, a single storyline may involve a number of personnel working throughout the organisational hierarchy; script writers, story editors, story consultants, producers, directors, and members of senior broadcasting management such as heads of drama (Chapters 3, 4 and 5). None is autonomous. All are working under a series of competing pressures. Underpinning all of these concerns and implicit in production personnel decision making is the key factor of audience ratings. qxd 46 25/4/07 4:03 pm Page 46 Phil's G4 Phil's G4:Users:phil:Public: PH to which these pressures come into play diﬀers depending on the storyline subject matter, the values of the production staﬀ, and the wider social climate at the time of transmission.