By Stratos E. Constantinidis
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Additional resources for Text & Presentation, 2007 (Text & Presentation) (The Comparative Drama Conference Series)
In the first was Prometheus, embossing in clay the figure of a woman; in the second he was represented stealing fire from the chariot-wheel of the sun; in 32 Text & Presentation, 2007 the third he is expressed putting life with this fire into his figure of clay; and in the fourth square Jupiter, enraged, turns these new-made women into statues [1967:111,11. 212–225]. This scene description, according to editor I. A. Shapiro, was probably written by Campion after the masque’s court performance (1967:100) and before publication.
S. Census, 2005. 2. S. in 1952. 3. , the largest group continues to be the Mexican-American. 3% were born in Latin America. Whose crisis is that? 4. See also, the ground-breaking bilingual (Spanish-English) edition of this play, also published by Arte Público Press, 2005. 5. I use the term, Latina, to describe Sanchez-Scott since she is not really of Mexican descent. By employing that term, however, I must acknowledge (remind) the reader that the first truly prominent Latina playwright was Maria Irene Fornes.
Necessary Theater: Six Plays About the Chicano Experience, edited by Jorge Huerta, 142–207. Houston: Arte Público, 1989. _____. ” Early Works, 28–39. Houston: Arte Público Press, 1990. _____. ” Zoot Suit and Other Plays 156–214. Houston: Arte Público, 1992. 1. Chicano Theatre in a Society in Crisis ( Jorge Huerta) 23 _____. ” Mummified Deer and Other Plays, 1–62. Houston: Arte Público Press, 2005. Villareal, Edit. ” Shattering the Myth: Plays by Hispanic Women, edited by Linda Feyder, 143–208.