By William Shakespeare, John Dover Wilson (editor)
John Dover Wilson's New Shakespeare, released among 1921 and 1966, turned the vintage Cambridge variation of Shakespeare's performs and poems until eventually the Eighties. The sequence, lengthy considering the fact that out-of-print, is now reissued. each one paintings is on the market either separately and as a suite, and every incorporates a long and energetic creation, major textual content, and big notes and thesaurus revealed on the again. The version, which started with The Tempest and ended with The Sonnets, positioned into perform the thoughts and theories that had advanced less than the 'New Bibliography'. Remarkably via modern criteria, even though it took the simplest a part of part a century to provide, the recent Shakespeare concerned just a small band of editors along with Dover Wilson himself. because the volumes took form, lots of Dover Wilson's textual equipment bought normal attractiveness and have become a longtime a part of later editorial perform, for instance within the Arden and New Cambridge Shakespeares.
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Extra resources for The Cambridge Dover Wilson Shakespeare, Volume 02: Antony and Cleopatra
Flourish. Enter ANTONY, CLEOPATRA, her ladies, the train, with eunuchs fanning her Look where they come: 10 Take but good note, and you shall see in him The triple pillar of the world transformed Into a strumpet's fool. Behold and see. Cleopatra. If it be love indeed, tell me how much. Antony. There's beggary in the love that can be reckoned. Cleopatra. I'll set a bourn how far to be beloved. Antony. Then must thou needs find out new heaven, new earth. Enter an Attendant Attendant. News, my good lord, from Rome.
Round brackets are taken from the original, and mark a significant change of voice; when the original brackets seem to imply little more than the drop in tone accompanying parenthesis, they are conveyed by commas or dashes. Single inverted commas (' ') are editorial; double ones (" ") derive from the original, where they are used to draw attention to maxims, quotations, etc. The reference number for the first line is given at the head of each page. Numerals in square brackets are placed at the beginning of the traditional acts and scenes.
Xlvi ANTONY & CLEOPATRA Enobarbus; and the last continued in the same role in Iden Payne's production of 1935, when Roy Emerton and Catherine Lacey had the title parts. In 1945 (Robert Atkins producing) Anthony Eustrel and Claire Luce took their places, the latter as a fair 'gipsy'. 1 In America a burlesque Antony and Cleopatra by J. M. Field had a great vogue in New York and Philadelphia from 1843 for at least fifty years;* but the earliest performance of Shakespeare's play was in Park Theatre, New York, in April 1846, by VanderhofFand Mrs Bland.