By George Beahm, Michael Whelan, Glenn Chadbourne, Stephen Spignesi
The Stephen King Companion is an authoritative examine horror writer King's own lifestyles occupation, from Carrie to The Bazaar of undesirable Dreams.
King specialist George Beahm, who has released generally approximately Maine's major writer, is your pro advisor to the inventive global of Stephen King, overlaying his various and prodigious output: juvenalia, brief fiction, restricted variation books, bestselling novels, and movie variations. The publication is usually profusely illustrated with approximately two hundred images, colour illustrations by means of celebrated "Dark Tower" artist Michael Whelan, and black-and-white drawings through Maine artist Glenn Chadbourne.
Supplemented with interviews with neighbors, colleagues, and mentors who knew King good, this e-book appears at his early life in Durham, while he all started writing fiction as a tender youngster, his university years within the turbulent sixties, his struggles with early poverty, operating full-time as an English instructor whereas writing part-time, the lengthy street to the e-book of his first novel, Carrie, and the handfuls of bestselling books and significant display variations that followed.
For lovers outdated and new, The Stephen King significant other is a accomplished examine America's best-loved bogeyman.
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Additional info for The Stephen King Companion: Four Decades of Fear from the Master of Horror
As King explained in On Writing, his interest in contributing to Dave’s Rag ran a distant second to his consuming interest: sitting in a darkened theater watching Saturday matinees. Dave’s Rag, like a favorite toy that had outlasted its appeal, eventually ceased publication when Dave King moved on to other interests. Smart but restless and impatient, Dave indulged his varied interests instead of focusing on one area, unlike Stephen, who was always either reading, writing, or watching Saturday matinees in nearby Lewiston.
Unlike most writers who grew up in comfortable surroundings, whether in urban or suburban environments, Stephen King and his family had a hardscrabble life. There were no luxuries. Understandably, his early fiction reflected a desire to escape, and he did it through his rich imagination, which transported him away from the rural dreariness of Durham. Runaround Pond in Durham, Maine. Lisbon Falls High School, which King attended. It was the only world he knew, though in later years he made more frequent trips to nearby Lisbon Falls, where he saw life unfold in small-town Maine.
P. ” Stephen’s “first encounter with serious fantasy-horror fiction” showed him that more than two decades earlier, supernatural fiction, regarded by many as escapist trash, was written with serious intent. Lovecraft, he realized, wasn’t screwing around. “He meant it, and it was his seriousness as much as anything else which that interior dowsing rod responded to,” King wrote in Danse Macabre. Reading in the horror field meant discovering other writers, and it wasn’t long before King encountered the work of a California writer named Richard Matheson who wrote about horror in a contemporary vein: The monsters weren’t in moldering graveyards and decrepit castles in Europe but in American cities.