By Gabriela Zapolska
Gabriela Zapolska (1857–1921) was once one of many optimal modernist Polish playwrights. Zapolska’s ladies positive aspects 3 of her functionality texts that concentrate on the industrial and social pressures confronted via ladies in partitioned Poland on the finish of the eighteenth century. as well as the performs, Zapolska’s girls offers a close biography of Zapolska, referring to her lifestyles tale to the subjects of every play; an research of her value inside Polish and ecu literary and theatrical traditions; and background at the social and old stipulations inside of Poland throughout the time the performs have been written and initially played. This informative number of groundbreaking performs will introduce an English-speaking viewers to Zapolska’s vital paintings.
Read or Download Zapolska's Women: Three Plays: Malka Szwarcenkopf, The Man and Miss Maliczewska (Intellect Books - Play Text) PDF
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Extra info for Zapolska's Women: Three Plays: Malka Szwarcenkopf, The Man and Miss Maliczewska (Intellect Books - Play Text)
This is making the interpretation of various sources used in my research challenging.
36 | zapolska's women The woman was silent for a short while, then finally retorted, dropping her head low onto her breast: – Because you work for that sort of publication, sir, in which they’re constantly baiting the Jews. Szatkiewicz shrugged his shoulders. – Well, and what of it? – Nothing … I was just thinking … The snow began to fall again. Szatkiewicz’s attitude and loyalty towards Irma are tested when his superiors notice him stepping out with her and ask him to feed information to them, relating to scandals at the theatre where she works, in order to discredit that establishment.
In Galicia, between 1860–1918, texts being considered for performance were provisionally censored by local police officials, who then sent them, along with a report listing their various recommendations, to the Chief of Police, in Lwów. However, as time went on, censorship in Kraków, for example, became more localized. Theatres had 46 | zapolska's women to submit, along with a copy of the play, a detailed description of the performance itself, including the planned mise-en-scene. Depending on what the decision was, texts would then be authorized for performance, cut or completely banned.